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On the contrary, most of them seemed to be quite economical with CPU resources. However, on my system at least, several of the plug-ins were really quite slow to load, with a delay of perhaps three or four seconds between selecting the plug-in the host application, and having it become available to use.
I contacted Cycling 74 about this, who told me that this is a known issue which seems to affect a minority of Windows users. Imminent Pluggo upgrades are expected to bring improvements in this respect.
I also found that one or two of the custom graphical user interfaces on some of the plug-ins could be a bit sluggish and unresponsive, even with a relatively low CPU load.
Switching to the default parameter view solved this problem, so it was hardly a major inconvenience. Minor quibbles aside, I have to say that I thoroughly enjoyed reviewing Pluggo.
While the bundle as a whole is impressive, in my opinion its greatest strengths are its more unconventional effects. What Pluggo offers — and what many commercial plug-in bundles don't — are unusual, original and often inspiring tools for twisting audio signals into new and unexpected shapes.
It's a bit different from the useful but ubiquitous software recreations of conventional studio hardware devices.
Combining the effects, the modulation plug-ins and the Pluggo Buss, Pluggo operates as a flexible modular system capable of routing, wrangling and mangling audio signals in some outlandish ways that would be quite impossible with conventional host applications and plug-ins.
Pluggo 's instruments range from the very usable, through the quite interesting to the 'novel', but all are worth having, and add value to the bundle as a whole.
With more than different plug-ins included, I'm very aware that I haven't mentioned some deserving candidates. Fragulator and Degrader, for example, both appealed to me enormously.
Wheat and Rye also proved capable of a range of interesting, textural noises. I could go on — but my editor wouldn't stand for it.
If this review has piqued your curiosity in the slightest, I'd encourage you to download the Pluggo installer and explore it for yourself!
Pluggo is an original, enjoyable and extensive collection of plug-ins: unusual, in the best sense of the word. Pluggo Junior The Pluggo download page is home not only to the complete Pluggo installer, but also to Pluggo Junior, a set of 12 fully working plug-ins taken from the Pluggo collection and available free of charge.
PluggoBus Rcv: accepts audio input from the Pluggo Buss and sends it to its outputs. PluggoBus Send: sends its audio input signal s to the Pluggo Buss so that they can be sent to other plug-ins that are ' Pluggo Buss aware'.
Delay Effects Chorus X2: chorusing and short delay effects. Comber: modulated comb filters. Flange-o-tron: a flanger driven by two step sequencers.
Generic Effect: a modulated comb filter, suitable for vibrato, chorus, flange and other 'standard' effects.
Jet: 'vintage' flanging effects. Long Stereo Delay: long stereo delay, with vibrato and filter effects. Space Echo: see main text.
Tap Net: a flexible four-tap, tempo-sync'ed delay. Tapped Delay: delay line with 16 equally spaced output taps.
Very Long Delay: a second delay, with vibrato and resonant filters. Distortion Average Injector: modulates the delay time and amplitude of its input based on an average of the signal's amplitude.
Degrader: reduces the effective sampling rate and bit depth of its input. Feedback Network: see main text.
Fragulator: chops the input signal into fragments, and loops each fragment either forwards or backwards at varying speeds.
HF Ring Mod: flexible ring modulator. Mangle Filter: affects amplitude and delay time based on the average amplitude of its input.
Monstercrunch: amplification followed by clipping distortion and low-pass filtering. Noyzckippr: multiplies the input signal by band-pass-filtered white noise.
Pluggo Fuzz: a fuzzy distortion effect. Ring Modulator: ring modulation. Waveshaper: waveshaping distortion with a mouse-editable transfer curve. Dynamics Dynamical: compression, expansion, gating and more.
Limi: a general-purpose limiter. Filter Cyclotron: a step-sequencer controlled band-pass or low-pass filter. Harmonic Filter: 25 band-pass filters, controlled by a 'cellular automata algorithm'.
Moving Filters: LFO-controlled parallel band-pass filters. Multi-Filter: a linkable pair of multi-mode resonant filters.
Phase Shifter: a straightforward phasing effect. Phone Filter: a very convincing 'telephone' distortion effect. Swish: four filters and two LFOs to create complex sweeping effects.
Vocoder: analogue vocoder emulation and band versions. Waste Band: splits each stereo channel into three frequency ranges and allows you to mute, pass or overdrive each band individually.
Plug Loop: an audio looping and sampling tool. However, we understand many people have multiple computers and need more than one authorization.
Max 8 is a different product from the Max for Live editor included in Live 10 Suite or purchased separately as "Max for Live".
If you have any trouble authorizing Max for Live, please contact Ableton support. Your Max authorization is tied to your Max account.
Once you sign into your account inside the Max application, it is authorized. Contact Support if you have any questions about using multiple machines or to remove authorization from an authorized machine.
Instead, use the Max demo which still functions without saving after 30 days or Max Standalones to run patches on the unauthorized machines.
Your Max authorization will be tied to that account instead of a serial number. There is only one installer and only one flavor of the Max application.
The day demo simply refers to the fact that Max will run without copy protection for the first 30 days. Once one of the ramps has reached its target value, the next one starts.
A subsequent list , float , or int in the left inlet clears all ramps yet to be generated. Examples Linearly changing signal or a function made up of several line segments.